By M. A. R. Habib
This finished advisor to the heritage of literary feedback from antiquity to the current day offers an authoritative evaluation of the most important activities, figures, and texts of literary feedback, in addition to surveying their cultural, historic, and philosophical contexts.Supplies the cultural, historic and philosophical history to the literary feedback of every period allows scholars to work out the advance of literary feedback in contextOrganised chronologically, from classical literary feedback via to deconstruction Considers a variety of thinkers and occasions from the French Revolution to Freud’s perspectives on civilization can be utilized along any anthology of literary feedback or as a coherent stand-alone advent
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This entire advisor to the background of literary feedback from antiquity to the current day presents an authoritative review of the main events, figures, and texts of literary feedback, in addition to surveying their cultural, ancient, and philosophical contexts. provides the cultural, ancient and philosophical historical past to the literary feedback of every period permits scholars to work out the advance of literary feedback in contextOrganised chronologically, from classical literary feedback via to deconstruction Considers a variety of thinkers and occasions from the French Revolution to Freud’s perspectives on civilization can be utilized along any anthology of literary feedback or as a coherent stand-alone advent
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Extra info for A History of Literary Criticism and Theory: From Plato to the Present
Having said this, Plato in this earlier dialogue accords poetry a certain reverence: he speaks of the poet as “holy,” and as divinely inspired. Plato’s theory of poetry in the Republic is much less flattering. In fact, a modern-day reader is likely to be exasperated at the space devoted to poetry in what is, after all, a political tract concerned primarily with justice in both individual and state. 4 However, there is an intimate connection between Plato’s aesthetics and his formulation of the ideal of justice.
The precise significance of this association of poetry with democracy may be evinced from a broader political context. Plato suggests that there five basic forms of government. His own ideal constitution can be conceived as either royalty or aristocracy (IV, 445d). The other four forms represent a progressive degeneration away from this model: timocracy (where the pursuit of honor is paramount), oligarchy, democracy, and tyranny (such an evolution, it might be added, has no basis in Greek history).
As exhibited in his early dialogues, he also inherited Socrates’ central concern with ethical issues and with the precise definition of moral concepts. Most of Plato’s philosophy is expounded in dialogue form, with Socrates usually cast as the main speaker. The canon attributed to Plato includes thirty-five dialogues and thirteen letters. The authenticity of some of the dialogues and of all the letters has been questioned. It has become conventional to divide Plato’s dialogues according to early, middle, and later periods of composition.
A History of Literary Criticism and Theory: From Plato to the Present by M. A. R. Habib