By Scott Allen Nollen
As of the most well-liked entertainers of the mid-century movie undefined, comedian greats Bud Abbott and Lou Costello provided an important balm to the yankee public following the sorrows of the good melancholy and through the trauma of global struggle II. this is often the 1st ebook to concentration intimately at the immensely well known wartime movies of Abbott and Costello, discussing the construction, content material, and reception of 18 motion pictures in the context of wartime occasions at the domestic entrance and overseas. the flicks coated contain the provider comedies dollar Privates, within the army, and hold 'Em Flying; extra mainstream comedian reduction movies corresponding to Pardon My Sarong and Who performed It?; and post-war experiments resembling Little enormous and The Time in their Lives. greater than one hundred twenty stills and foyer playing cards from the author's own assortment illustrate the textual content, together with many exhibiting outtakes or deleted scenes.
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Additional resources for Abbott and Costello on the Home Front: A Critical Study of the Wartime Films
Monkey in a Moose Head 31 Hold That Ghost (1941). Chuck Murray (Bud), Doctor Jackson (Richard Carlson), Ferdinand Jones (Lou), Camille Brewster (Joan Davis) and Norma Lind (Evelyn Ankers) cautiously explore the “haunted” road house (original lobby card). ” Menaced by one of the mobsters wearing a linen sheet, Ferdie and Camille think it’s a ghost. When the candles go out, Ferdie lifts a “sheet” in the darkness and receives a wallop from Camille in return. Ferdie, noticing a “horse with a hat rack on its head,” climbs up and reaches into its snout.
A comic highlight involves Pomeroy’s attempts to bed down in his hammock for the night. Costello ignored the script, which included an elaborately contrived routine and adlibbed a much funnier tour de force. After tossing his clothes out a porthole (“I thought it was a little closet,” Pomeroy tells Smokey) he makes three valiant attempts to climb into his hanging sleeper. Wearing enormously out-sized boxer shorts, he ﬁrst makes a conventional attempt, and then saddles it like a horse, petting its “head” before falling to the deck.
His ofﬁcial policy was now “all aid short of war,” which included providing Naval escorts (and ﬁrepower, if necessary) to Allied convoys across the Atlantic. S. Navy aircraft carriers had also begun transporting British ﬁghter planes to the Mediterranean. Meanwhile, Universal’s cinematic Navy continued to attract attention at home. the ﬁlm is not one of the best and the boys are not at their best in it. After all, what could they do except be 26 ABBOTT AND COSTELLO ON THE HOME FRONT themselves and salvage what they can in a picture which gives the Andrews Sisters and Dick Powell too much prominence?
Abbott and Costello on the Home Front: A Critical Study of the Wartime Films by Scott Allen Nollen